9th February 2020
The second novel of Spensa, a woman who has grown up on humanity’s last refuge, and become a pilot to help defend her world. Starlight starts without an obvious direction to go in - the plot of the first novel, while leaving space for the sequel, didn’t make the onward path obvious.
So I was happy to find that Sanderson has found a way to advance the plot, and of course his all-important worldbuilding, without dramatically shifting the tone of the narrative. We’re still aligned with Spensa, exploring an unfamiliar environment, learning so much, and facing an even bigger threat than before.
I didn’t find the novel as captivating as I had expected though. It’s not non-captivating, just not to the level I have come to expect from Sanderson’s novels. There are evident similarities between the style of the narrative here with his previous young adult novels, but it’s clearly grown since Alcatraz into something I can at least engage with without being put off.
What I loved the most about this novel is the worldbuilding - that Sanderson is taking all the little seeds that he planted in the first book and growing them into surprising new directions, that either make you feel a bit dumb for not seeing where it was going, or make you rethink your understanding, or just make you go wow.