28th March 2021

This late-2020 John Grisham novel is another sequel to his early tale of racist Mississippi, A Time to Kill. A sequel in the sense that the same characters re-appear, and similar themes in a similar setting, but not really in terms of the actual plot.

It feels like a fitting story for a year in which the actions of police officers around the world have come under scrutiny - re with a police officer serving the role of victim, but with sufficient levels of ambiguity to make it an interesting question to think about what the definition of innocent and guilty are.

I think this might be one of Grisham's best novels - getting a good balance of the emotion and the characters with an insight into the legal process. I'd actually go as far to say that it might be the most emotional of his novels, stepping away from his classic event-based narrative to give us more character engagement.

A good balance of insightful, thought-proking, and frustrating. Although there was one area that it felt like Grisham put in the subject but backed off from actually having a debate about, which seemed a missed opportunity.

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27th June 2020

An unusual sequel from John Grisham sends us back to the world of his somewhat more-literary group of fictional authors and their bookseller patriarch, on Camino Island, Florida, as a hurricane makes its way dramatically towards them.

I was unsure how this was going to work - was there scope for a second story here? And the answer is yes, there is - and it’s sufficiently different not be a rehash of what went before, and to actually develop the characters, as well as drop in references back to the original novel and make it clear those events have not been forgotten and indeed do contribute to this story.

However I did find the book a little hard going - it felt slower paced than I was ready for, and I felt like I was forcing my way through it faster than felt natural, because I was looking forward to finding something more exciting afterward. Ideal perhaps for someone with a shorter attention span who is looking just to dip in for ten minutes every now and then, maybe while on holiday (though perhaps not to a hurricane destination).

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2nd January 2020

I was worried when I started reading this Grisham novel that it was just going to be the same again - he’s written the story of a man on death row over and over again - but it managed to retain my interest and tell an interesting story from a slightly different angle.

It does feel though like this is a bit cookie cutter - Grisham can clearly output legal thrillers almost with his eyes shut now, and his other works seem to be the ones that have more interesting characters and plots, exploring other genres. The narrative here is perfunctory and dry - the classic Grisham move of sticking to fact fact fact, and not adding emotion or colour - it does read a bit like it’s being narrated by a neutral lawyer rather than someone passionate.

An enjoyable read, but not particularly anything special - and I am beginning to wonder whether I want to keep investing my time in reading Grisham’s output.

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23rd January 2019

2018’s John Grisham novel is an interesting blend of his earlier and later styles. We start out with the traditional courtroom drama setup - we find out what happened, who’s who, what the lawyers are up to, and end up in court. But this book also gives us something else - a lot more back story than I was expecting, and a lot more forestory (if that can be a thing).

It’s fascinating to see a bit more of the story than just the court case - and to dig in and try to understand things in a bit more detail. That said, there’s a large chunk of the novel that feels a bit like ‘John Grisham was learning recently about this historical event and now wants to tell you about it’, and it’s very dark and very grim - possibly the hardest thing to read that he’s written, which is quite a thing for an author whose previous works have included executions.

In the end, I don’t think I really liked this story - it’s too unpleasant in the choice of subject matter to be entertaining, and turned into more of a history lesson than a story. I don’t think I can bring myself to recommend it because of this.

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23rd March 2018

Somehow, John Grisham has come up with a new twist on the Legal Thriller - following a friend's suicide, three law students decide to give up college and just practice without licences. And then their adventures really begins.

It's interesting to have a novel from Grisham where his main characters suffer a major trauma at the start, but it still feels like he hasn’t quite got a grip on communicating emotion, as they still come across quite robotic even while suffering grief.

I'm actually getting a little irritated by the cleanness of Grisham's writing style, it's very perfunctory and action based rather than worrying too much about emotion or character. It's almost dry enough to be a formal report of events that occurred.

Ultimately this book was a bit disappointing. The ideas were novel and intriguing, but the execution almost felt like some sort of weird morality tale rather than entertainment.

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16th July 2017

Another of Grisham’s novels that fall outside the legal genre, and while not quite literary, fall much closer to it. This one tells the story of an audacious heist, and a woman who finds herself thrown into the investigation quite unexpectedly.

The plot is almost secondary in this work to the character, setting, relationships, and occasional set piece. The story is divided into clear acts, although these are more obvious near the start. It’s a strong opening, but it sets a pace that isn’t really reflected in the rest of the narrative and may give misleading expectations.

I think my favourite aspect of this novel is that it’s set around a background of books. The characters include author and a bookseller, and this is clearly an industry that Grisham has something of an insight into, and so it paints a vivid and amusing picture of how the literary world works, with sufficient tongue in cheek to remind me of Agatha Christie’s self-parody in the character of Ariadne Oliver

Overall, a happy diversion. An enjoyable story, told in the classic Grisham manner of straight laced facts.

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18th March 2017

The latest John Grisham legal thriller focuses on some lawyers who are acting as investigators, looking into allegations against corrupt judges in California. Unsurprisingly, the story opens with an allegation that a judge is corrupt, but so corrupt that the allegations are wrapped up in a complex web of secrecy that much of the narrative deals with unpicking.

This has to be one of the blandest Grisham novels I've read. And I've read all of them. The writing style is dry and factual. Even the interpersonal relationships feel bereft of emotion and read as if they are being described by an alien who has no understanding of human life. The narrative is just a list of back to back facts, many without involving the characters at all, with no regard for the classic storytelling rule of 'show, don't tell'.

The plot is a strong one regardless, there's a mystery, there's threat, there's shock. But the presentation dilutes it all the point of dullness, not allowing the reader to get drawn in or to become emotionally involved or hooked on the story. There's no chance to get invested, and so even when there are moments of success it's like reading about events from centuries ago in a history textbook.

I can't recommend this book. If you're looking for a Grisham story to pick up you'd be better served choosing one of his earlier works.

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