20th March 2020

The Last Best Hope is the first tie-in novel for the new Star Trek: Picard TV series, in which we return to the era of the Next Generation to find out what’s been happening some 25 years later. The novel serves as a prequel to the series, and fills in the detail of some of the events 14 years earlier, charting how the effects of events depicted in the 2009 movie affected this, the prime timeline, and led directly to where me meet Picard now.

Although the novel was published after episode 3, I think it’s best read after episode 4 - as it covers a lot of the detail of things that are alluded to in the first four episodes, and could be considered a spoiler if you’ve not seen these already. Arguably, you might want to watch episode 5 first too, but I think it works well after episode 4.

I maintain that Una McCormack is one of the best Star Trek authors out there, and I was incredibly pleased to hear she was writing this. It’s an amazingly well told tale of incredibly difficult times, and she successfully weaves in Star Trek’s classic parallels to today without it seeming in any way forced. The characters leap out of the page in a way that’s almost greater than they do on TV - the background really helps in engaging and empathising with them in the TV series too.

I have to be a little disappointed that the new TV series effectively erases a good chunk of the storyline that I’ve enjoyed reading in the novels over the past decades, and this book sits solidly in the new canon, though there are a few small nods where possible. I’m glad however that the reason the novel continuity has ended is positive - that we have a new TV series which is quite possibly the best written Trek yet.

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23rd June 2019

I am a big fan of Una McCormack’s tie-in novels, and so when I saw that she had written an original work I made sure to pick it up and read it immediately.

The novella tells the story of a journalist in a universe where a galactic colonial power seems to be in its end days, and through the story of her life we also see the story of the civilisation.

McCormack’s world building is excellent, with a slow reveal of more about the civilisation through an elongated flashback, and character interaction, and leaves me feeling like there are plenty of other potential opportunities to explore this world - though I didn’t feel they were lacking from this story.

Very much recommended.

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28th April 2019

The fourth novel based on the latest Star Trek series, Discovery, is the first written by a woman, and I’m slightly surprised that sums wasn’t asked to write one sooner, both because the show has made a point of focusing on its female characters and creators, and because Una is probably the best Star Trek novelist currently writing.

This book tells some backstory for the character Tilly, a cadet when we first meet her on TV, but here a high schooler. It draws on a number of character moments dropped into the series, particularly Tilly’s relationship with her mother, and creates an excellent story intertwining coming-of-age, boarding school, space adventure and much more.

My favourite of the Discovery novels so far - not the same sort of adventure as the earlier three - but much more fitting for Tilly and in keeping with McCormack’s usual trick of telling a character story that’s incredibly engrossing. A must read for anyone who loves Discovery and Tilly, and recommended for everyone else too.

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26th July 2017

Una McCormack, probably my favourite of the current crop of Star Trek authors, returns to Cardassia for this excellent and deliciously Cardassian tale.

Doctor Pulaski is visiting Cardassia to receive an award, but events start to unfold in interesting ways as Garak moves toward retribution for the crimes his people committed during the occupation of Bajor, and new details about those crimes start to come to light.

I can hardly believe how complex this story is, weaving in threads from across DS9 and earlier novels with the richness of Cardassian society. Both drawing on previous adventures and doing some worldbuilding of her own, McCormack paints an amazing picture of a world growing form its past. I love some of the clever symbolism that weaves in around flowers, art and literature, particularly the focus on the enigma tales, and how these reflect back into the plot. I also loved the setting in a Cardassian university, clearly something the author is well aware of herself, and this really comes across as something there's a deep understanding and appreciation of.

The presentation is good too. The chapters are long, and interspersed with letters written by Garak, which serve to develop both character and, subtly, plot. The tone is quite casual in places (especially the start) which gives another feeling of Cardassia, as it's reminiscent of Garak's storytelling in the TV series.

In case it's not clear, I think this book is great, and I hope for many many more from McCormack. I would strongly recommend reading David Mack's novel 'Control' first though, as one of the plot strands here follows on directly from that novel.

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11th February 2015

Finally! A new DS9 novel! But is it? We're well into the second DS9 relaunch by now, and there's a big continuity gap sitting in the wings waiting to be filled in between the two. This story really focuses on three known characters, all of them based in or around DS9, but really Ro, Crusher and Pulaski are all Next Generation characters.

The story is about separation from family, a theme which fits really nicely with the selection of characters that McCormack has pulled together, and the numerous plot strands that weave together here. It's also about strong female characters, though I only realised that a few days after is finished reading it. I'm not sure if that says more about the author's subtlety or my own blindness to such factors, and if the latter whether that's a positive thing or a negative.

So I must admit that I was a little disappointed that it wasn't a bit more DS9 focused, and that the plot was really a gathering of multiple parallel strands rather than a single main narrative. However Isis enjoy the visit to the station and find McCormack to be one of the best writers of real character in Trek.

I look forward to more from the series, from the author, and more Cardassians please!

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27th September 2013

The second book in The Fall, the latest 24th Century Star Trek mini-series, runs for the most part concurrently with the first book, 'Revelation and Dust'. It follows Garak, Cardassian ambassador to the Federation, as he heads back to his home planet for the ceremonial signing of a treaty.

This is a very different story from the previous novel, much more about the politics and intrigue on Cardassia, and diplomacy between the various powers, whereas the the first book was much more action oriented. I found it interesting and enjoyable that the style differs so much between the two books, something that I've noticed a lot more recently in Star Trek novels than when I first started reading them in the late 90s - a welcome addition.

McCormack's novel reflects events in the real world masterfully, and has made me think more than anything else I've read for a long time, and yet as well as this she fills the tale with humour and 'easter eggs', many of which I expect I missed.

I found reading this that I wanted to pause between chapters to digest what I'd read, rather than rush ahead, although this plan went out the window as I got to the second half and couldn't stop reading. Her handle on Garak and other Cardassians is as strong as always and I've really enjoyed what she's done with them and their culture in this story.

An excellent novel, and a great continuation of the series - I look forward to the rest keeping this standard up.

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21st June 2013

Following on from the second-season Deep Space Nine episode 'Cardassians', Una McCormack's tale follows the life of Rugal, a Cardassian teenager brought up by Bajorans but sent back to live with his biological father. It's a different take on a civilization that was not explored in as much detail as it could have been on television, and gives an interesting alternative perspective on the events of the TV series.

The narrative moves at an excellent pace, easily keeping things in line with the main DS9 storyline throughout, and presents an interesting study of the character and how he grows. McCormack has an excellent grip on her ward and the various other well known characters that appear. Her Cardassia deserves to be the definitive one and she adds layers of texture to the culture that enrich it beyond anything I've read elsewhere.

There are parallels with twenty-first century Earth in the narrative, as well as moments of humour that had me tittering as I read on my commute. It's a perfect example of what Star Trek should be, and I've really enjoyed reading it - why I've waited so long since it was published I don't know.

It's surprising, shocking, tender and revealing. A must read for DS9 fans.

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