31st October 2021

The fourth and final entry in the Last Dragonslayer series finds Jennifer Strange and her friends forced to retreat to Cornwall as the Ununited Kingdoms are invaded by an astonishing volume of trolls.

It’s an excellent and fitting end to the series, pulling the story in new directions, and exploring more of the unusual ideas that Fforde’s mind is known for coming up with.

There are some moments where I just laughed out loud and had to read the page again and again to drink in what Fforde had dared to do, and then flow it neatly into the narrative.

My only thought is that I probably should have re-read the series before this book, just to bring everything back to the forefront of my mind.

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24th July 2020

I am a big fan of Jasper Fforde’s work, and so have been looking forward to this ever since I heard the intriguing title. It’s a coincidentally well timed novel being released in 2020, but clearly inspired by some of the real world events and politics of the past few years.

Anthropomorphic rabbits have, through means comedically unexplained, come to live in the UK alongside the human population. The rabbits seem quite happy about this, but a number of the humans don’t really think they should be in their village.

Fforde uses the vehicle of comedy to tell a story that shines a quite blatant light on some of the absurdities of modern society. There’s not a lot of subtlety going on with the allegory - although the humour has some.

I really enjoyed reading this. The world-building is weaved cleverly in as usual - I think of Fforde’s world’s as just the smallest nudge away from our own, and this one’s nudge clearly starts “What if rabbits…” and ends up putting a big mirror in front of our society. But despite the seriousness of the subject matter, the tone is often light, the humour omnipresent, and the things that go unsaid are also perfect.

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15th December 2018

Jasper Fforde’s new novel, seemingly a stand-alone tale, explores the question “What if humans hibernated?” through an exploration of a complex world from the point of view of a young novice who is enlisted to remain awake through the winter to help look after society during the frozen months.

There’s a lot of reminiscences of Fforde’s previous novels - the dystopia is milder than in Shades of Grey, and the fantasy milder than in the Dragonslayer series, but all have a common feel and this makes the narrative a comfortable one to slip into.

The characters are fascinating and compelling, with some very novel ideas added into the mix. The world is incredibly rich and I love how much thought Fforde has clearly put into exploring how a society might have evolved differently given a seemingly small change in its starting conditions.

Shades of Grey remains my favourite Fforde novel, but this makes its way into second place. I don’t know why everyone isn’t reading it.

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15th April 2014

The third and now penultimate book in The Last Dragonslayer series sees the return of Shandar - the greatest wizard that ever lived - which triggers Jenny and a ragtag collection of companions to head off on what is definitely not a quest if anyone's asking.

It's a fun fantasy adventure, with Fforde's usual eye for detail and sense of humour, references flying everywhere, many of which I probably missed on my first reading. It's longer than either of the first two books, but didn't feel overly so - the plot moves rapidly and it keeps the reader's attention throughout.

The book lacks an emotional core though - the peril doesn't feel real (perhaps because of the light-hearted fantasy tone) and the characters' responses generally seem too relaxed. One character I found particularly interesting grew a lot in the book, but rather than being something gradual and building it seemed to come as a rapid shift which I felt detracted from the setup.

While the conclusion is well executed, it didn't feel like a satisfactory resolution and left me frustrated that I couldn't turn the page again, rather than in the desired state of anticipation for the next book. Still very enjoyable, but not quite at the top of Fforde's output.

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16th July 2012

Book seven in the Thursday Next series once again takes the random-fantasy/crime/met-fiction in a different direction. Thursday has a new job with new responsibilities, and is struggling with her children, one of whom doesn't exist.

As usual with Jasper Fforde's writing it's a fantastic mish-mash of thrilling adventure and literary puns. I don't know whether they've toned down a bit or my own experience has widened, but I felt that the references were more approachable than in some of the earlier novels where I knew I was missing most of them.

There are some excellent passages in this story, particularly the way that Fforde deals with the mindworm. The narration, from Thursday's point of view, is superb and presents an intuitive view of the world that tells the reader everything while managing not to realise things herself. This leads to the one plot hole that stands out, where she narrates things she shouldn't know.

I really love Jasper Fforde's novels and can't get enough of them. Reading 'The Woman Who Died a Lot' has encouraged me to go back and re-read the earlier Thursday novels. A definite must-read series for anyone who loves a bit of slightly-surreal comic fantasy.

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7th November 2011

The sequel to The Last Dragonslayer just lives up to the promise of its predecessor. Jennifer Strange, acting manager of Kazaam - a magic company - is getting ready to rebuild Hereford's history bridge, but iMagic, their closest competitor, have something different planned.

The book had, I felt, a relatively weak opening. Fforde's recent works, particularly Shades of Grey and The Last Dragonslayer, have been masterpieces, and to be honest this felt like a bit of a let down after those. However once some of the set up had been passed, the pace picked up and Fforde's unique surrealism began to show itself again and for the second half the novel was easily the equal of its predecessor.

The nature of the story though does make it feel more of a children's novel, though perhaps that is by design. The first book in this series appealed to me as an adult reader, in that it dealt with some weightier themes which this book barely brushes against.

Overall though certainly another good book from Fforde and I will continue to look forward to his works with a sense of glee. His mastery of the English language has to be up there with the greats of surreal and humorous writing.

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26th February 2011

The sixth book in Jasper Fforde's Thursday Next series is the best yet and proves once again that he has one of the top imaginations and sharpest minds of the current generation of authors. This time, Thursday is missing, and the novel is told from the perspective of her literary counterpart in the bookworld, the written Thursday Next - it might be worth having read the first five books to fully understand.

This makes for a fantastic change, as although she is the same character she's also very different and suffers from a number of flaws that she's all too aware of, including being far too nice to take the place of the real Thursday. It also allows for an influx of new bookworld characters to assist her, including a robotic butler with an emotional eyebrow, and Mrs Malaprop, whose words I found initially got in the way of the narrative's flow but soon became one of the top pieces of comedy.

The best thing about a Fforde book is that it makes you think. So many things in novels are so absurd that we never notice, and he uses this meta-fictional point of view to point out some of these and come up with surprisingly rational explanations. It's a really detailed and surprising world that he's invented and the remaining in this book makes it even better for the character to explore.

The story is really a mystery, and being in the bookworld everything is a clue no matter how obscure it seems. Definitely one that will require a re-read to pick up more about what's going on. Another smashing read from an author who is one of my favourites.

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